Asian female single-Single Asian Female - La Boite

Not just because they, too, are a family of Wongs, and not because they are Asian. The family Law has created could be any Australian family. This one just happens to be Asian. Zoe, the eldest, has had to move back to Nambour after the loss of her apartment in Brisbane. She is trying to negotiate dating, sex, a possible pregnancy and life as an artist.

Racial slurs and prejudices are sprinkled throughout the play but not treated Asina. Lee: "No Learn about how to have the best browsing experience on our Asian female single. Languages Add links. You never get to see that in an open, non-judgy way. Photo supplied. And they see an opportunity there for themselves. Credit: Dylan Edwards.

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Minimal drug references, sexual references and adult content. Download Program. Step into the afterhours of a suburban Chinese restaurant and meet the whip smart women who are definitely talking about you in their native tongue. Catch the Wong family in their return to the La Boite stage, following a sold out season in Sydney at Belvoir. Click here for more details. This work was developed with the assistance of the Lotus Playwriting Project, an initiative of Playwriting Australia and Contemporary Asian Australian Performance formerly Performance 4a.

Single Asian Female 16 Feb — 9 Mar February March Review Single, Asian and Female? Joyful, and laugh-out-loud funny from start to end Suzy Wong.

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I was too in my own head about the work to really consider it. Single Asian Female is a big-hearted comedy that packs a hell of a punch, plunging us into the trials and tribulations of the Wongs, a Chinese-Australian family living in Nambour, Queensland. Much of it pivots around Pearl, a tough-as-nails, recently divorced Chinese migrant whose difficulty understanding the lives of her Australian-born daughters, Zoe and Mei, is funny and often painful. Law plays elder sister Zoe, a woman in her late 20s grappling with big life decisions and the horrors of dating in the 21st century.

Loosely based on their experiences of living with chronic illness — Law developed alopecia as a teenager and Reeson was diagnosed with breast cancer in her early twenties — it has helped her remain calm in the lead up to her mainstage debut. Michelle Law. But Law maintains that the most disconcerting aspect about jumping into Single Asian Female is discovering the play from an entirely new perspective.

The impact of the play was driven home as Law began attending performances herself. Photo supplied. But, Law says, growing up prior to a real emphasis on new writing or works by a diversity of Australian voices was frustrating to her.

It was on an excursion with her high school drama class to see the musical Miss Saigon that Law had her own visceral, gut moment about the importance of representation. Even though Law has found it difficult to take a minute to smell the roses, she treasures those moments where she realises her play has had an impact on other people.

Mitchell Butel reveals his inaugural program as AD, with plays that he hopes will make headlines, open the door to a more diverse group of actors, provoke and entertain. Six Australian plays, five of them new, a Tony Award-winning musical and contemporary writing from overseas — all relevant to today, says AD Brett Sheehy.

The Artistic Director, whose tenure has been distinguished by record ticket sales and a growing subscriber base, will step down in November. The rising star soprano is one of 20 finalists in this year's prestigious competition, which launched the careers of Dmitri Hvorostovsky and Bryn Terfel.

Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings. An exciting, ambitious new Australian play, in six languages, that unites the personal and political in powerful, moving fashion.

The return of Single Asian Female, a world premiere from Steven Oliver, and a radical retelling of Romeo and Juliet make up the new season.

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